Oct 242011
 

Many of you know that I volunteer for Iowa’s Destination ImagiNation® program, which is focused on promoting creativity, teamwork and problem-solving among young people who are of pre-school through university age. My husband and I originally became involved through our son, who participated on a team. Eventually I became a Team Manager and my husband an Appraiser; now our son is graduated from college and living his own life in Chicago as we continue to volunteer for the program as state Board members wearing various hats. This program, which is near and dear to our hearts, is especially meaningful to me since I pursue my own brand of creativity through my writing and handmade projects.

One of the tasks all Destination ImagiNation (DI) teams are charged with is to manipulate materials effectively in order to generate unique (read: creative) solutions to challenges. In DI jargon, this means that all materials can be identified as connectors, controllers and/or extenders, each with its own set of properties. The first year that I managed a team of six middle school boys, it was apparent that they were bright, inquisitive and imaginative, but also that they were handicapped by a lack of knowledge about the materials available to them, and how they could make them work. They were too young to drive, of course, and didn’t have a lot of spending money, so they did not spend their free time in stores, where they would have been exposed to potential materials for the Team Challenge they had to solve during the season.

To help remedy my team’s lack of exposure to different types of materials, I sent the boys off on various scavenger hunts to different types of stores, where they were asked to generate lists of connectors, extenders and controllers. They were told that connectors, extenders and controllers can be used alone or in combination with other materials, that connectors are used to fasten or hold things together, that extenders are used to make materials longer, and controllers are used to guide or contain materials. The lists my team generated became important resources as the season progressed and the team sought unique solutions to challenges. For example, the team used sewing machine bobbins as pulleys, a type of controller. They discovered that PVC pipe, which comes in tube and joint forms, can be used as connector, extender or controller, often at the same time.

I sent my team to a craft store, a home improvement center, an office supply store, and a fabric store. One of my team’s biggest surprises was that a fabric store contains a broad range of connectors, not just fabrics and sewing notions for costumes. They also learned that a fabric store is an important source for adhesive products. Did you know, for example, that Jo-Ann Fabrics has a free glue guide that describes 8 brands of adhesives, or a total of 58 products? The materials related to these adhesives include fabric and trims, leather, beads, jewelry findings, paper, cardboard, plaster, felt, Styrofoam®, glass, crystal, plastic, vinyl, metal, wire, wood and more. If your local store does not have one of these guides, you can contact the corporate headquarters and ask where you can get a copy: Jo-Ann Fabrics Corporate Office | Headquarters, 5555 Darrow Road, Hudson, OH 44236, Tel. 330-656-2600.

So, what does all of this have to do with fleshing out your ideas, which is part of the title of this post? One way to solve the type of problem that the boys on my Destination ImagiNation team had—namely, to generate as many options as possible in regard to locating connectors—is very similar to the challenge facing anyone who creates anything, whether it’s a story or poem, a sculpture, a scrapbook or fiber art. Our goal is always the same: to come up with a unique perspective that reflects our goals and dreams. Before we can get to that point, however, we have to generate a lot of ideas while ignoring the Editor standing behind our backs, picking apart our ideas. We need to pay attention to novelty, even if it seems odd or crazy or impossible. And we need to think about ways to combine these different ideas because doing so might lead to something really new and different.

Beginning this idea-generation process can seem daunting if you don’t have a fun-but-strategic way to attack it. One deliberate method (and certainly not the only one!) of coming up with ideas is to use what’s called ABC brainstorming. This is as simple as drawing a 2-column grid with the letters of the alphabet in the first column, and leaving the second column blank for those ideas you’ll be adding later. Each idea should begin with one of the letters of the alphabet. You don’t have to use all the letters, but it’s part of the fun to try to do so. If you’re more of a visual person, draw a mind map instead, with letters inside clouds. You can have jagged lines of lightning pointing to your ideas.

If the boys on my DI team had used ABC brainstorming (which I didn’t know about at the time), their list of connectors at the fabric store might have looked something like this:

A – adhesive tape

B – brads, buckles, beading cord, barrel clasps, bobby pins, bar pins, buttons, bra extenders, binding clips

C – craft glue, chain, chenille stems, cotton belting, cord, clothesline, clip rings, cable cord

D – double-sided tape, duct tape, doll joints, D-rings, decorator nails

E – eyelets, E-6000 adhesive, embroidery floss, elastic

F – floral tape, foam mounting tape, felt glue, fabric glue, foam glue, fusible bond tape

G – glue sticks, gem glue, grommets, gum

H – hemp cord, hooks & eyes, heat set fabric glue

I – interfacing (fusible)

J – jewelry findings, jump rings, jute

K –

L – laminating pouches, lobster clasps, leather cord, lanyard hooks

M – Mod Podge, magnets, mending tape

N –

O –

P – paddle wire, poster putty, pins

Q – quilter’s tape

R – ribbon, raffia

S – stem wire, screw posts, super glue, spring rings, safety pins, split rings, stretchy cord, snap fasteners, swivel clasps

T – twine, transparent tape, tacky glue, toggle clasps, thread, thumb tacks

U –

V – Velcro®

W – wire

X – Xyron adhesives

Y – yarn

Z – Zots (adhesive dots), zippers

If you sell handmade products, as I do, can you imagine how you might use this tool to generate ideas about new products, or improvements to them? If you’re a story writer, maybe you can use this tool to generate the first sentence of many different stories. If you paint or draw or sculpt, perhaps you can generate a list of adjectives describing qualities or emotions you want to bring to your work—a series of creative prompts, if you will. How can you imagine using this tool in your work? Do you use a deliberate method to generate ideas?

© 2011 Judy Nolan. All rights reserved. Images provided by FreeDigitalPhotos.net. Hover over image to locate the gallery of each digital artist.

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May 132011
 

It’s that time of year again, when high school and college seniors walk up the aisle and receive their graduation diploma. Among those making the graduation list this May and June are several family members and a friend. Since this special day doesn’t come around every year, I couldn’t bring myself to buy a commercial card. Instead, I decided to adapt the layout of a spring card I made in a recent Archivers class called Painted Petals. I used graduation-themed dimensional stickers from Jolee’s Boutique, self-adhesive gems from Bazzill Basics, paper art flowers from Hero Arts, and card stock from Best Creation and Boxer Scrapbooks.

After I was finished, I needed an envelope big enough to contain the dimensional card without crushing it. To do the job, I used my Martha Stewart Scoring Board to make one from white letterhead. I have decided that this is one of my favorite tools, since it facilitates the process of custom envelope-making, allowing me to assemble an envelope in just a few minutes. You cut your paper, score it, fold it and adhere the flaps, and ta-da! it’s finished. You can see the finished card below.

The above card accompanied a gift to a graduating friend who is bright and creative. The gift? A journal focused on creativity. The fabric cover owes its style to Sue Bleiweiss, a fiber artist from whom I took an online journal making class some years ago. Inside are three hand-sewn signatures, with the last page of each signature containing a surprise pocket. One pocket contains 10 handmade tags, another contains “Creative Play Cards” from Violette Clark (you can get them if you subscribe to her newsletter, Violette’s Creative Juice), and the third pocket contains “100 Ideas” to exercise your creative muscles from Keri Smith, the author of Wreck This Journal, This is Not a Book, and Mess: The Manual of Accidents and Mistakes. If you’ve ever felt creatively stuck, Keri’s books will get you moving again.

Every time I make one of these journals I like to customize it for the person receiving it as a gift. In fact, I often don’t know what will be inside the pockets until I get to that part of the process!

Fabric cover with satin-stitched edge

1st signature

1st pocket with 10 handmade tags inside

2nd signature

2nd pocket with Violette Clark's Creative Play Cards

3rd signature

3rd pocket with Keri Smith's "100 Ideas"

© 2011 Judy Nolan. All rights reserved.

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Apr 012011
 

When it’s 56 degrees on a sunny spring day, and the day lilies begin to sprout in your garden, it can be challenging to stay focused enough to finish a creative project. I almost did not get around to photographing the fingerless gloves below for Week 13 of the 52 Weeks Challenge—not because of any desire to garden (actually, I detest yard work)—but because I was occupied with gathering numbers in preparation for a meeting with our tax accountant, right on the heels of completing my father’s tax paperwork. But those dreaded tasks are now behind me, and ahead of me is a list of much more delightful creative projects.

I’m still trying to decide, when it comes to especially tedious left brain tasks, whether it takes more energy to procrastinate or complete the job. It’s likely a toss-up. In any event, after I finish such work I often don’t immediately feel particularly creative.  When this happens, I just have to sit back and do something entirely different, such as read a book or magazine, browse through blogs, listen to music, or simply take a walk. It’s helpful for me to sift through fabrics, too, or to organize yarns while my mind wanders. Afterward, I feel refreshed, and the urge to create is once more knocking on my door. It seems ironic, doesn’t it, that in order to play effectively (i.e., create), you have to play in a different way? I think I agree wtih Swiss psychologist Carl Jung when he says, “The creation of something new is not accomplished by the intellect but by the play instinct.”

What revives your creative juices after left brain tasks have taken over?

© 2011 Judy Nolan. All rights reserved.

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Feb 272011
 

Creative outcomes are based on two opposing processes, and opposites just happens to be this month’s theme for The Sketchbook Challenge.

Before you write a poem or story, paint a picture, shape clay, weave beads into a new pattern, or pretty much anything else that involves your creative muscles, you begin to float ideas around in your head. This period of incubation, when you allow your subconscious to take over and dream, is much more effective if you set aside your internal editor and generate as many ideas as you can without passing judgment about the merit of them. Give yourself permission to think about what seems illogical on the surface, wild or zany, and then start building connections between one idea and the next, no matter how ill-suited they at first seem to be.

This process of generating ideas leads to the next phase in creativity: synthesis based on a series of systematic choices. This is when you begin to compare your ideas to each other and to prioritize them, focusing on solutions, not obstacles, to your ultimate goal. And one of those goals is to come up with something new and novel, so you’re not going to toss aside those seemingly odd ideas you generated during the process of incubation. Instead you will seek a deliberate way to incorporate your ideas. By staying focused, you will be able to narrow and combine the best of your ideas to create something unique.

I’m not sure how much of this creative process is really conscious, to tell you the truth, but this is what occurs whenever we create. It is also a process that can be taught, which I have learned through the creative problem-solving program, Destination ImagiNation©, for which I volunteer. Generating creative options, and then focusing on the best ones, are opposite and necessary sides of the proverbial creative problem-solving coin. Below is my illustration of “Opposites,” which illustrates this concept.

Sketchbook Challenge Theme for February: Opposites

To see sketches from other participants of The Sketchbook Challenge, visit Flicker HERE. Consider joining this challenge yourself!

© 2011 Judy Nolan. All rights reserved.

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Jan 312011
 
Sketchbook Challenge

Fear of failure is likely one of the most common reasons that people do not tackle the unknown. Though I usually enjoy taking on new challenges, I must admit this one makes me nervous. Drawing is not my forté. I have never taken a formal art class, and know next to nothing about drawing besides doodling. When I read about the Sketchbook Challenge in which fellow BBEST member Kimberly is participating (see Elusive Inspiration), however, I decided to stop making excuses and see what I can learn. Besides, it sounds like fun, and  creative growth does not come without a little risk.

The Sketchbook Challenge was started by fiber artist Sue Bleiweiss, with the idea that once a month, a theme will be selected for all participants. Everyone then designs as many pages as they wish that match the monthly theme, and shares them by posting photos of their art on their blogs and/or on Flickr, and by posting links in the comments section of the Sketchbook Challenge. To make this process a little less fearful for all, Sue invited 15 other artists to blog about their own progress in the Challenge. On January 1st, the first theme, “Highly prized,” was announced. Nearly every day of the month, a new blog post appeared with tales, tips and tutorials from Sue Bleiweiss and her co-hosts.

The format of the Sketchbook Challenge is easygoing and feels friendly, so I have decided to participate and see where this goes. Participants are invited to explore different techniques, not necessarily drawing. Collage, for example,  is one option. The idea is that visual art will express the monthly theme, instead of words. Below is my first entry—not perfect, by any means, but it reflects my best effort. If you would like to participate in the Sketchbook Challenge, you can read the rules here.

 

Sketchbook Challenge Theme for January 2011: Highly Prized

© 2011 Judy Nolan. All rights reserved.

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