Dec 022009
 

O Tannenbaum, o Tannenbaum
wie treu sind deine Blätter!
Du grünst nicht nur
zur Sommerzeit,
Nein auch im Winter, wenn es schneit.
O Tannenbaum, o Tannenbaum,
wie treu sind deine Blätter!

O Christmas Tree, O Christmas tree,
How lovely are your branches!
In beauty green will always grow
Through summer sun and winter snow.
O Christmas tree, O Christmas tree,
How lovely are your branches!

The lyrics to the above Christmas carol about a Tannenbaum, or traditional German fir tree, are just as popular today as they were back in 1824, when they were written by German organist Ernst Anschütz. In fact, the melody to the song has been adopted by Iowa, Maryland, Michigan, and New Jersey for their state song.

Germans are often credited with the custom of the decorated Christmas tree, although likely the custom dates back to a pre-Christian era. Common folklore tells the story of a monk named Boniface from Devonshire who traveled to Thüringen (Thuringia) in central Germany during the 600s to preach Christianity. It was said that he used the triangular shape of the Tannenbaum to describe the Holy Trinity, which caused people to think of the fir tree as God’s tree. Whether this story is true or not, it is a fact that a Christmas tree decorating industry grew up around Thüringen, which became known for its Glaskugeln (glass ball ornaments) and Lametta (tinsel cut from wafer-thin strips of silver). By 1850, the small town of Lauscha, in this region, became famous for its garlands made from blown glass bugles and beads.

In the mid-1800s, the custom of decorating a live fir tree for Christmas was so widespread that Germans became concerned about deforestation. It was customary for the tops of fir trees to be lopped off since this formed the perfect shape for a holiday tree, but it also prevented future growth and made the tree useless for timber. Laws were passed to limit families to just one tree, and subsequently the birth of artificial trees took place in the form of the Federbaum, or feather tree.

Holiday Feather Tree–Made from Vintage Tinsel Pipe Cleaners
and a Wooden ABC Block,

The earliest German feather trees were made from goose feathers that were dyed green and attached to metal wire or wood dowels. They resembled the white pine trees found in Germany’s mountains, with short-needled branches spaced widely apart, which made both the white pine and the feather tree perfect for hanging ornaments. Composition berries were usually attached to the end of every branch, often serving as candle holders. When Germans immigrated to the United States, particularly Pennsylvania and Texas, they brought their feather trees with them.

Although the commercial version of the feather tree did not really become commonplace until the second decade of the 20th century, there is a story about President Theodore Roosevelt introducing goose feather trees into the White House as the result of his two sons, Archie and Quentin, smuggling a live tree into Archie’s bedroom in defiance of their father’s order that no live trees be used for holiday decorations. True or not, the road for manufactured feather trees was paved in 1913 when Sears Roebuck advertised the first artificial trees in its catalog. These trees featured berries and candle holders on the tips of the branches, much like the handcrafted feather trees that the Germans designed, and a round or square white painted wooden base.  By the 1920s, the use of feather trees in the U.S. was widespread, with trees ranging in size from just 2 inches high to 30 inches, and later as tall as eight feet.

Their popularity was relatively short, however. Just 10 years later, the growth of the tree farm industry caused the use of feather trees to decline. Montgomery Ward began selling feather trees imported from Germany in a wider selection of colors during the 1930s, in the hope that these would catch on, but this did not happen. During World War II, feather trees pretty much disappeared from the landscape when they were no longer imported from Germany.

In the 1950s artificial trees emerged that were made with brush bristles, visca and aluminum, and later with fiberglass and vinyl; these replaced the feather tree. The Kansas Historical Society shares the following description of an aluminum tree from the Sears 1963 Christmas Book:

Whether you decorate with blue or red balls . . . or use the tree without ornaments – this exquisite tree is sure to be the talk of your neighborhood. High luster aluminum gives a dazzling brilliance. Shimmering silvery branches are swirled and tapered to a handsome realistic fullness. It’s really durable . . needles are glued and mechanically locked on. Fireproof . . you can use it year after year.

Today the feather tree is often associated with period history, especially German-American immigrant history, a Victorian Christmas, folk crafts and antique collectibles. On Etsy, you’ll see the feather tree motif used in hooked rugs and needlework, and a few artisans make table top feather trees by hand. Wood dowel versions of feather trees are also used by needle artists to hang decorations; I own one on which I hang perforated paper cross stitch ornaments.

While their use is no longer common, feather trees today are a link to the past, evoking nostalgic childhood memories and a longing for handmade holidays. Perhaps that is part of the charm of the handmade ornaments shown below that have been crafted by BBEST artists, any of which would look wonderful on a traditional Federbaum.

offered by Nonnie60

© 2009 Judy Nolan. All rights reserved. Please note that the images in this post are owned by the artists and may not be used without permission. Simultaneously published at http://boomersandbeyond.blogspot.com.
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Oct 212009
 

This past Saturday, as my husband and I prepared our evening meal, a “breakfast-like supper” consisting of fried eggs, bacon and toast, I began thinking about how common it is for our friends and family members to eat a morning meal at the end of the day. When I was growing up, my father peeled potatoes for crisp potato pancakes on Saturday nights, or he mixed a batch of batter and ladled it into our waffle iron. My husband reports that in his family, it was not unusual to have similar meals on weekend nights. In many family-style restaurants, in fact, breakfast or brunch (a combination of breakfast and lunch items served a la carte) is available all day, particularly on weekends. Is this an American custom? I’m really not sure. Ken Albala, in Food in Early Modern Europe, says that the word breakfast comes from the Latin word disjejunare, which means to un-fast. This word became disnare in the Romance languages, or disner in Olde French—eventually dinner in English. “Thus,” says Albala, “the word dinner actually means breakfast.”

I do know that dining traditions—and the times that people eat—differ according to geography, culture, occupation and economic conditions. An exchange student I knew in high school, for example, spent a year in Finland, where she learned to eat six meals a day. When my husband and I lived in southern California, it was commonplace for employers to hire a catering truck to bring in a mid-morning snack that consisted of sugary donuts and over-sized blueberry muffins, hot dogs and chili dogs, and almost anything you could heat in a tortilla: tacos, tamales, burritos,  enchiladas. Farmers and ranchers usually labor for hours outdoors, right after the sun rises, before they sit down to breakfast, and those on a tight budget often take advantage of what the land produces plentifully: grain-based foods.

In the United States, breakfast traditions have evolved over time. For example, early pioneers followed the lead of Native Americans who grew corn, cooking many corn-based products. These included breads prepared with various methods, such as corn pone pan-fried in oil, griddle-fried Johnnycakes, and ashcakes that were wrapped in cabbage leaves and cooked in the ashes of a campfire. Hoecakes were cooked on yes! the side of a hoe, and corn dodgers were mixed from cornmeal, water, buttermilk and baking powder. It is likely that today’s buttermilk pancakes and tortillas grew out of these early practices.

In addition to enjoying a broad range of corn-based breads, American settlers’ eating habits were heavily influenced by European dining traditions. Colonists of the late 1600s, for example, ate a simple continental breakfast of bread or porridge, accompanied by beer. By the early 1800s, the continental breakfast included a selection of breads and butter, cold meats, coffee and tea. During the Victorian Age (mid-1800s to 1900), Americans—particularly the middle class—had more income, so breakfasts became wide-ranging affairs with many different foods. These included hot cereal, fish, sausages, meat pies, breads with marmalade, butter and jam, bacon and eggs, fruit and vegetables—not too unlike an American brunch, but perhaps heavier in the meat department. Some typical menu items included broiled mackerel, poached eggs with asparagus tips, lamb chops, muffins, and cheese-and-crackers, served with beverages such as orange juice and coffee.

The breakfast cereals of the modern day were not common until the 19th century, when Victorians ate oatmeal. Unlike today’s instant oatmeal, however, they cooked it to death. They soaked the hulled oats overnight in water, then boiled it for four to twenty-four hours. Will Keith Kellogg, a Seventh-Day Adventist, created Toasted Corn Flakes as the result of this tendency to cook oats so thoroughly. He accidentally cooked oats too long; when they dried, they became flakes. But decades before Kellogg’s Battle Creek Toasted Corn Flake Company was founded, the Quaker Oats company registered its cereal as a trademark, and in 1875 began selling oats in boxes. “Quick oats” arrived in 1922, instant oatmeal in 1966, and flavored oatmeal by the 1970s, when many of the younger Boomers were in high school.

But what about the donuts and pastries that also characterize many American breakfasts? When German, Dutch, and Scandinavian immigrants came to the United States, they brought their coffee cake recipes with them. These original cakes were not the sugary concoctions with which most of us are familiar, but bread-like baked goods. Over time, however, they changed. In the kitchens of northern European immigrants, coffee cakes became donuts and pastries filled with sugared fruit, cheese, yogurt and other creamy fillings, accompanied by a cup of coffee and a bit of friendly chat known as a Kaffeeklatsch. According to Evan Jones in his book, American Food: The Gastronomic Story, “. . . . The term coffee klatch became part of the language, and its original meaning—a moment that combined gossip with coffee drinking—was changed to define the American version of England’s tea, a midmorning or midafternoon gathering at which to imbibe and ingest . . . .”

I’m still not sure how breakfast has evolved into an evening meal, but Regina Charboneau, who writes for the The Atlantic Food Channel, suggests that breakfasts for dinner “may have been borne of lean times, maybe after the Civil War or during the Great Depression.” She explains that during the Great Depression of the 1930s, many people from the Deep South were already accustomed to doing without because boll weevils had destroyed their cotton crops. To ease the economic burden this put on families, people stretched their budgets by preparing breakfast for dinner. Whether or not the same reasoning applies today, breakfast for dinner appears to be a common practice—and a tasty one.

For more information about breakfast history, visit the following Web sites:

© 2009 Judy Nolan. All rights reserved. Please note that the images in this post are owned by the artists and may not be used without permission. Simultaneously published at http://boomersandbeyond.blogspot.com.

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Oct 082008
 

Buttons. We fasten our garments with them, wear them to proclaim our political views, push them to open doors, drag our cursor, activate software icons, and turn on car radios. A buttoned-down person is presumed to be conservative and narrow-minded, whose buttons can be predictably pushed to evoke a specific reaction. If that person refuses to talk to you, you’ll probably call her buttoned up. When you need to discuss a raise with a busy boss, you might buttonhole him to get his attention. The protective covering on the end of a fencing foil is called a button, as is the head of a mushroom. And the flower your date wears on his lapel? It’s a boutonniere, of course, from the late 19th century French word for button, bouton.

Buttons have a long and interesting history. During the Bronze Age, people simply wore pieces of bone, wood, metal or seashells as forms of decoration. Eventually, however, the ancient Greeks decided to run a button through a loop of thread to fasten garments. A few centuries later, in 1200, the Crusaders brought back from the Turks and Mongols the idea of a buttonhole. French garment makers took the bouton and the buttonhole to new heights in 1250 by establishing the Button Makers Guild. Their artistry was so developed that not only was the button used to fasten garments prized by the aristocracy, but it once more became a form of decoration.

Over the next few centuries, button mania ran amuck. Buttons were created from diamonds, gold, silver and ivory. A report from 1520 states that King Francis I of France once greeted King Henry VIII of England wearing 13,600 buttons, both men similarly attired. The Church tried to tone things down by calling the buttons used to fasten the front of women’s dress “the devil’s snare,” and of course the Puritans got into the act by condemning such button excess as sinful. Then in the 17th century a button war, la Guerre des Boutons, was begun by French tailors who enraged button makers by making thread balls that worked just as well as traditional buttons. To protect their turf and their livelihood, button makers secured the French government’s agreement to fine the tailors for their ingenuity.

By the 17th century, French button makers no longer had a stranglehold on the button market because America, Germany and the United Kingdom began producing large buttons that required fewer of them to fasten garments. Buttons began to be mass produced beginning in the 19th century, using more expensive materials like brass, glass, pearls and ceramic, but also more common materials like thread, bone and metal. Families began keeping button boxes to recycle buttons for re-use, which bring us to today’s buttons, which are made from all of these materials in all sizes and shapes, and for all kinds of products.

Our lives revolve around buttons, which you’ll find everywhere on Etsy, and for which BBEST members have developed all kinds of uses. Rose of Big Island Rose Design, for example, recycles buttons to produce her Framboise Button and Yoyo Pin.

Framboise Button and Fabric Yoyo Pin Brooch

Dena of The Buttonhole has based the entire premise of her shop on buttons. One of her products is the Brass Bookmark with Vintage Buttons Black and White.

Brass Bookmark with Vintage Buttons Black and White

Pearl of Fehu Stoneware, on the other hand, fires porcelain buttons in her kiln. She uses them to embellish her journal covers, but encourages others to find other creative uses for them.

Zuda of ZudaGay fashions fantastical flowers from polymer clay, recycling buttons as the center of her floral creations. Her Coral Red Flower Pendant, for example, features a silver tone button.

Coral Red Flower Pendant

Carol of Sand Fibers often uses buttons to fasten her beautiful bead bracelets. Take a look at her If You Love Copper Like I Love Copper Peyote Cuff Bracelet.

If You Love Copper Like I Love Copper Peyote Cuff Bracelet

Kym of Kimbuktu uses a button as both a practical fastener and a decorative embellishment for her 1000 Cranes Foldable Tote.

1000 Cranes Foldable Tote

Finally, says Joon of joonbeam, “Environment is everything.” Her Earth Day Every Day Pinbacks encourage us to preserve the earth with her version of the button.

Earth Day Every Day Pinbacks

Feel free to click on any of the photos above to learn about purchasing details of these button creations by Boomers and Beyond Etsy Street Team members.

To learn more about buttons, read Roy Earnshaw’s “A History of the Button.”

© 2008 Judy Nolan. All rights reserved. Please note that the images in this post are owned by the artists and may not be used without permission. Simultaneously published at http://boomersandbeyond.blogspot.com.

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