Mar 272010
 

I looked out my window early this week and noticed green shoots poking their heads up through the earth, promising orange-blossomed day lilies in the weeks and months to come. “This must be the end of winter,” I thought, and then crossed my fingers and toes for good measure because here in the Midwest, it is not unusual to experience a blizzard in late April or early May. After a snowy winter that is now causing rivers and streams to overflow as the snow and ice melt, I’m more than ready for warmer weather. Still, I can’t say that I am a victim of cabin fever, since nearly every interest I pursue takes place indoors—reading, writing, crocheting, sewing, needlework, paper crafting. But when the spring sun streams through my window, it brightens my day, putting a smile on my face and a bounce in my step. Everything is green and new again, or will be soon. It’s time to clean house, air out the cobwebs, and let in the fresh air.

Whether you are prone to a case of the doldrums or not during the cold, snowy months of winter, spring is as good a time as any to examine where you’ve been and you want to go, and to set new goals. For me that means taking inventory of the materials I use to crochet and stitch and craft, replacing items in short supply, sketching or jotting down ideas, and making lists of tasks to accomplish. It also means sweeping my project areas clear so that as I de-clutter my physical space, my mind can begin to play with new ideas. Those new ideas, like the day lilies that fringe my back yard, play at the edges of my mind until they finally grow and blossom.

So, what will the next few months promise, creatively speaking? A little over two years ago, I opened my first Etsy shop, JN Originals, which sports one-of-a-kind crocheted and felted wool accessories such as needle books, flower brooches, spa cloths, Java Jackets, scarflettes, handbags and more. I needed a home, however, for paper goods—especially those that can be used by other people for their own self-expression. Thus Mister PenQuin was born, featuring note cards, tags that can be used as journaling spots or gift embellishments, sewing notebooks, altered clipboards, bookmarks and folded books. Sometime this spring or summer I plan to open a third handmade goods shop, Dancing Thimble, that will provide space for my fabric creations, focusing on solutions for home, storage and personal use. What does that really mean? For starters, you’ll find fabric envelopes for e-book readers like Barnes & Noble’s Nook and Amazon.com’s Kindle. Likely e-book jackets will follow, as well as padfolios for writing tablets. Aprons for craft sellers to stash a receipt book, pen and cash as they sell their wares at craft shows will find a place in Dancing Thimble, along with fabric organizers for crafting tools.

I guess I don’t really have time for cabin fever, or whatever you call those feelings of restlessness or mental stagnation that prevent you from taking action. As the sun shines through my window—or the rain feeds my growing day lilies—my pen walks across the page, giving life to emerging ideas.

© 2010 Judy Nolan. All rights reserved.

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May 012009
 

We have all experienced the flashes of inspiration that occur when we least expect them—while we’re taking a shower, walking the dog, folding the laundry or simply doing a repetitive task such as crocheting or knitting. Quite often, creativity that seems to have gone on hiatus blind-sides us with new insights when we take a break from the challenge that is facing us, and simply do something different.

We don’t always have the luxury, however, of waiting for inspiration to strike. Deadlines loom, the calendar page flips, the day of reckoning approaches. My husband, who sells for a living, asks, “If you had a problem that must be solved by the end of the month, or your business would go belly up, would you wait for inspiration, or would you get creative in a hurry?” From my experiences with Destination ImagiNation®, the world’s largest nonprofit creative problem solving program, I know that people of all ages can train themselves to generate creative ideas on the spot when needed, with little preparation. We do this through the use of creative problem solving (CPS) tools.

One of these tools is called SCAMPER. What is SCAMPER? It is nothing more than a list of letters—a checklist, if you will—that represents verbs intended to trigger your creative juices. You can use all or just a few of the letters in this made-up word, and you can use them in any order that makes sense to you. Use SCAMPER to generate ideas for upcycling materials, creating a marketing plan, establishing business goals, repairing a seemingly botched project, setting a personal challenge—basically, anything you want! Here’s how the SCAMPER tool works:

S – Substitute. If you’re making a bag and you don’t have a zipper to close it, what else can you substitute? In her Purple Is Hot Bag, Pam of bagsandmorebypam solves that problem with a drawstring.

Purple Is Hot Bag, by bagsandmorebypam

C – Combine. If your goal is to create eco friendly projects by upcycling newspapers, what other materials can be combined with them to produce these products? RushofWings envisioned the combination of dirt, seeds and newspaper for her biodegradable seedling starter pots.

20 Biodegradable Seedling Starter Newspaper Pots, by RushofWings

A – Adapt. Can you adapt your blog for marketing purposes? Through Project Wonderful, Pat of onawhimsey offers opportunities for others to advertise on her Art in the Wax blog.

Adapt - onawhimsey

Project Wonderful, utilized by onawhimsey

M – Modify, Magnify, Minify. How can you modify your shop appearance to make visitors stay there longer? How can you magnify your product visibility? How can you minify your marketing efforts while magnifying the sales results (i.e., work smarter, not harder)? Janine of AltheaP has modified her shop banner to illustrate her silk dyeing and painting.

Shop Banner for AltheaP

P – Put to other uses. You have a huge stack of calendars from past years. How else can you put them to use? In her blog post, “Scuppernote ~ A Happenstance Design,” Joon of joonbeam describes how she took last year’s calendar and other recycled papers to create a tri-fold notebook with a Velcro® closure.

Put to other uses - joonbeam

Trifold Notebook with a Velcro® Closure, by joonbeam

E – Eliminate. When you lost a lot of weight, the result was a closet full of blue jeans that you considered taking to the local clothes closet, but…if you eliminate the parts of the jeans you don’t need, what could you do with the rest? Kym of kimbuktu took scissors to a pair of blue jeans to create a blue jean hipster bag.

Recycled Blue Jean Hipster with Scrappy String Piecing, by kimbuktu

R – Reverse. Everyone likes the large clay bowls you make, but you’re getting a little bored with the product line. What products could you create if you flipped the bowls upside down? What if you glazed the outside of the bowl one color, and glazed the inside with its complementary opposite? Suppose you reverse your direction and make miniature bowls instead of large bowls? Make clay boxes instead of bowls? Shape containers into stars, triangles, and cylinders? Pearl of fehustoneware inverted a bowl to form the base of her raku-fired Triple Moon Goddess Celestial incense burner/candle holder/altar piece.

RAKU Triple Moon Goddess Celestial Incense Burner/Candle Holder/Altar Piece, by fehustoneware

Keep in mind that in order for the SCAMPER tool to work, you must set aside judgment until you have finished generating ideas. Tell yourself that none of your ideas are bad; there are only good ideas and better ones! Consider using the SCAMPER tool with others (such as fellow BBEST members), since you probably share many similar challenges. Work toward many ideas from multiple categories (or letters, in this instance!), aim for novelty, and be prepared to add details to your idea to make it work. The clock is ticking, so begin generating ideas now!

© 2009 Judy Nolan. All rights reserved. Please note that the images in this post are owned by the artists and may not be used without permission. Simultaneously published at http://boomersandbeyond.blogspot.com.

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Mar 042009
 

Although it would be interesting to see, creative ideas do not rain down from the sky, waiting to be plucked Venus fly trap-like from the air. Instead, they are usually the result of the subconscious part of the mind acting upon sensory experiences—in other words, what we see, hear, smell and touch. “So you see,” says newspaper columnist and writer Brenda Ueland, the first female reporter for the Minneapolis Tribune, “imagination needs noodling—long, inefficient, happy idling, dawdling and puttering.”

The importance of involving the senses, and of exposing oneself to varied experiences, is that artists draw upon both to generate ideas. Julia Cameron, in The Artist’s Way: A Spiritual Path to Higher Creativity, stresses that art is an “artist-brain pursuit” that needs to be fed with images. “The artist brain is the sensory brain,” she writes, “sight and sound, smell and taste, touch.” She explains that we need to stock our artistic reservoir “like a well-stocked trout pond,” filling it with all kinds and sizes of proverbial fish that can be cooked up in different ways. That this is the case is evidenced by various members of the BBEST team, although not everyone generates ideas deliberately.

Sara of LaughingOtterJewelry claims she does not really have methods for generating ideas, yet imagery is clearly tied closely to how ideas spring into her mind. “There are two ways I get my ideas for my jewelry pieces . . . from the beads themselves—their energy. They ‘speak’ to me and I can visualize in my mind how the piece will come together. I also sometimes get ideas from vintage jewelry or from the person themselves (commissions). These are usually thoughts or ideas of what they think they want or how they want it to feel. Then I take the thoughts and ideas, and create.”

“I get ideas all the time,” says Chris of Designs by Christine. “Anything that I see becomes an idea . . . nature, designs that someone does in another medium will spin a design in glass for me, and can be a design as I try to think of it in glass. Listening to music can even inspire my designing in glass, and then drawing something or doodling can also inspire a design. Certain colors will give me designs also. Sometimes when working on a project, another idea comes to me, so I can get an idea from an idea.”

Chris, in other words, employs some basic principles of creative problem-solving that allow her to generate new ideas. According to Donald J. Treffinger, Ph.D., president of the Center for Creative Learning in Sarasota, Florida, these idea-generating principles include:

  • deferring judgment, or letting ideas simply flow without analyzing them until later
  • striving for quantity, or seeking lot of options
  • freewheeling, or giving yourself permission to be playful, and
  • seeking combinations, or allowing one idea to lead to another or be combined with another.

Meg Mateo Ilasco, author of Craft Inc.: Turn Your Creative Hobby Into a Business, points out that to generate ideas, it’s important to take a break from your creative patterns or habits. “For example,” she says, “if you’re typically a verbal person, try drawing, or if you’re a visual thinker, try writing.”

This is exactly how creative ideas come to Rose of Big Island Rose Designs. She says that creative ideas come to her when she least expects them, when she needs a break from something else, when she’s working, goofing off or even resting. They also come to her when she sees something at a craft show or in a magazine. “I think about how I can do it my way. That’s how the yoyo pineapple was born; I saw one made of folded fabric and thought to do it with yoyo’s.” Rose doodles at work, and has started writing her blog entries on the bus.

Liz of Liz Plummer says that going for a walk often helps her generate ideas or think things through, after which she brainstorms by writing down her ideas. Rhythmic or repetitive activities such as walking, needlework, cooking, vacuuming and the like do, in fact, help our subconscious mind generate ideas. “Why do I get my best ideas in the shower?” Albert Einstein is said to have asked. Ideas bubble up through our subconscious minds to the surface, challenging us to capture these ideas in a systematic way. Liz uses sketchbooks and notebooks, or whatever is handy, to write down ideas as they occur to her. She also uses “morning pages,” as described by Julia Cameron in The Artist’s Way. “If it’s something I want to find again, I put asterisks all round it,” says Liz. “And I have a box which I keep of photos that I find inspiring.”

Liz describes morning pages as an exercise in which you write for three pages every morning. “It’s just a ‘stream of consciousness’ thing where you write down whatever comes into your head without filtering it. It is meant to clear your mind of all the annoying day to day stuff so you can get creative. But I also use it if I have to think about something, just to mull it over. There’s something about writing something down that helps me think.” Julia Cameron describes morning pages as a meditation exercise, similar to practicing yoga to expand your consciousness.

Berit of Singing Images uses repetition in a deliberate manner to generate ideas. “I like to start with a theme, like bottles,” she says, “and then repeat, repeat, repeat, and see where the work takes me.” She does not really have a method to track her ideas, but does have “lots of little scribbles on lots of small pieces of paper in lots of drawers.”

Several BBEST members are so “open” to the activity of their subconscious minds, that their challenge is not finding ways to generating ideas, but to record them instead. Elaine of rosegardenfae, for example, looks often to nature and its patterns, to colors and their variations, and to the work of others on the Internet, in books, magazines and on Etsy. To keep track of all of her ideas, she says, “I keep several notebooks filled with ideas, notes, and illustrations, as well as an online file that contains pictures of things I’d like to do.”

Mike of GimmeBeads, who works with glass, says he spins imaginary rods of glass in his head “nearly 24/7.” He points out, “I can’t even find my jeans in the morning, so having any organized method of keeping up with ideas is out of the question. I have so many of them,” he says, “I’m never at a loss for something to work on.”

Similarly, Suz of whimseys says, “I don’t really think much about how to get ideas. They just pop into my head, and then I am compelled to act on them. No matter what time of day it is, I just gotta do it. Then I just go with the flow—no real planning—I let the creative process take over. Sometimes it lasts for days and days, and the ideas keep coming—fast—but then there are times when nothing is happening, no matter how hard I try to think about it.” Suz does not generally write down her ideas, but if she does, she tends to act on them right away.

Joon of joonbeam‘s biggest dilemma is finding ways to capture the images and ideas that pop into her head. “I have notebooks of all shapes and sizes scattered about,” she says. “I do keep specific Etsy notebooks. I prefer unlined paper, which, for some reason, is harder to find in attractive notebooks. Once I get that Bind-it-All . . . look out, world! But, seriously, how do we keep track of so many ideas? If I were to capture even 1% of mine, I’d be jotting and drawing all day long. I’m fortunate to have Scout [Joon’s daughter], because if I mention an idea to her, she will recall it months, or even years later, at random moments. Internal Photographic Memory. Now, there’s an idea.”

Several BBEST artists have organized approaches to gathering ideas they have generated. For Myfanwy of SassaLynne at Etsy, since most of her ideas evolve as the result of playing with color, keeping a series of journals and sketch books is essential.

Sample journal page: “The colours of Custard,”
by
Sassa Lynne at Etsy

“The way that I mix dye results in unexpected combinations, and so often I find that this inspires me,” Myfanwy explains. “The colors will suggest something and I’m away. Sometimes I translate the design into artwork; paint on paper is a usual starting point. But at other times I work very intuitively and the work just evolves.”

Barb of BLAZINGNEEDLES, who specializes in original machine knitting and hand crocheted designs, uses a combination of computers and a dry erase board to keep track of her ideas. “The white board keeps my ideas for future projects when I get the time,” she explains. “There are usually 50 ideas there. So many ideas, so little time!”

Dry erase board,
used by
BLAZINGNEEDLES
to track ideas

Barb tries to look at everyday items from a different perspective, for example, imagining what else she can develop from a felted sweater. “Many times friends will ask me to make something I never thought of—a golf club cover. I like to shop at dollar stores and see what they have that I can use. I have bins of cute things that I bought on sale that may give me inspiration some day.”

Like Barb who collects items from dollar discount stores, Eileen of Chauncey Design has a collection of her own that inspires her. “I don’t have a method of generating ideas,” she says, “except for my obsession with supply catalogs. Looking at all the latest sometimes gives a spark, but always a drool.” She adds that she is not consistent at keeping track of ideas, although she has jotted down her ideas in a notebook on occasion. “I think if the idea is any good, I should be able to remember it. If I forget it, it must have been forgettable.”

Barb and Chauncey’s approach to idea generation is what textile artist Susie Monday refers to as “accidental collections.” Susie, who has a vintage collection of table cloths, says that accidental collections consist of items that appeal to you, that you pick up here and there, and one day you realize there is a pattern to what you have been collecting. “And whether you think your accidental collection has anything to do directly with your art or not,” she says in her blog post, Vintage Inspiration & Accidental Collections, “it probably has something to do with your strong suits and inclinations in the sensory world.” Being aware of your preferences on a more conscious level is key to taking advantage of their inspiration.

Whether you capture the ideas you generate in detailed notebooks or sketches, on index cards or in computer files, being able to translate the subconscious meanderings of your mind in a more organized fashion allows you to take advantage of what Meg Mateo Ilasco calls the ideation process. “Whether your mind is forever churning out ideas or your inspiration comes in occasional spurts of brilliance, you need to be ready to seize these creative opportunities.”

© 2009 Judy Nolan. All rights reserved. Please note that the images in this post are owned by the artists and may not be used without permission. Simultaneously published at http://boomersandbeyond.blogspot.com.

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